Upgrade Your Sound
8 Channel Mic Pre with Variable Impedance and HPFThe ASP880 is an 8-channel microphone preamplifier & ADC that will transform your sessions into world class recordings, the perfect addition to your set-up. ASP880 provides eight of Audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes Variable Impedance and Variable High Pass Filters. All in a 1RU rack!
Audient Console Mic Pres
The professional sound you deserve
Audient is the only company that uses the same Class-A mic pre design throughout their entire product range, whether you’re in the studio with an Audient console or on the road with ASP880, you’re always guaranteed the same world class Audient sound.
Pristine Converter Technology
Brilliance on the inside enables brilliance on the outside
ASP880 provides you with the highest grade converters from Burr Brown, the leaders in converter technology. The integral ADC guarantees you will have the best conversion possible. This isn't just the best converter in a mic pre either, it stands up against dedicated converters too. Focus on the music and let ASP880 take care of the rest.
Grows with your needs
Transform your sessions into world class recordings with ASP880, the perfect addition to your set-up. Bypass the mic pres and converters in your current interface and achieve the same audio excellence as the top studios.
Plug And Play
Plug in and be inspired As well as offering you 8 channels of Audient mic pre, ASP880 has two harmonically rich JFET D.I inputs. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.
Built To Last
Quality deserves protection ASP880 has been designed to last, its all-metal construction and hand milled aluminium knobs will stand up to countless late nights in the studio and days on the road. All this in 1RU!
8 x Class-A Audient Console Mic Preamplifiers
High Performance Burr Brown AD Converters
Variable Input Impedance Variable High Pass Filters
2 x Discrete JFET Instrument Inputs
8 x Insert points (between the mic preamps and AD converters)
Digital Outputs - ADAT, AES & S/PDIF
Over £500 worth of plugins and software with ARC
(measured to insert send)
MIC GAIN: -10 to +60dB (-10dB Pad)
LINE GAIN: -16 to +44dB (-10dB Pad)*
PHANTOM POWER: 48v +/-4v @ 10mA/Channel
MIC EIN: 80dB @ 100 to 10kHz
MAXIMUM INPUT LEVEL: +22dBu (+32dBu with Pad)
INPUT IMPEDANCE: Mic LO: 220Ω Balanced Mic
MED: 1k2Ω Balanced Mic HI: 2k8Ω Balanced Line (All Z): >6kΩ Balanced
FREQUENCY RESPONSE: +/-0.5dB 10Hz to 100kHz
CROSSTALK: 90dB HPF: Sweepable from 25Hz to 250 Hz, 2nd Order (12dB/Octave) XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4”
JACK: TIP (Hot),
RING (Cold) & SLEEVE (Shield) * Line input level at the combi jacks will be affected by the input impedance switch position, this can be used as a second pad control to adjust line input ranges on all channels.
DISCRETE JFET D.I
(Channels 1 & 2): (measured to line outputs / insert send)
D.I GAIN: -10 to +60 dB (-10dB Pad)
MAXIMUM INPUT LEVEL: +16dBu (typical), +22dBu
INPUT IMPEDANCE: 1MegΩ Unbalanced
FREQUENCY RESPONSE: +/-0.5dB 10Hz to 50kHz THD+N @ 0dBu (1kHz): <0.03% (-70dBu) SNR: 89dB 1/4”
JACK: TIP (Hot) &
LINE OUTPUTS (Insert Sends):
MAXIMUM OUTPUT LEVEL: +27.5dBu
OUTPUT IMPEDANCE: <100Ω
Balanced ADC LINE INPUTS (Insert Returns): (measured at optical output under AES-17)
MAXIMUM INPUT LEVEL: +18dBu
DIGITAL REFERENCE LEVEL: 0dBFS = +18dBu
INPUT IMPEDANCE: >10kΩ Balanced
FREQUENCY RESPONSE: +/-0.5dB 10Hz to Fs/2 CROSSTALK: